Character Bible
Appearance Matrix shows every scene each character is in and who they share screen-time with. By season two, you'll still remember what that bartender from the pilot drinks.
Plan, Scenes, Write, Deliver — four tabs, one workflow. From worldbuilding and character bibles to scene boards and structure templates, to dual-format editing, to FDX/Fountain export — without ever leaving the tool.
ACMaya stands in the hallway, keys still in her hand. The cat hasn't moved. Outside, the elevator finishes a long sigh and gives up.
ACThe ferry pulls slowly out. Maya leans on the rail, the cat carrier silent beside her. Mist rises from the water.
Eight in ten reader-coverage rejections cite formatting in the first paragraph. Your story shouldn't lose to a margin.
Slima Script Studio is four connected tabs. Each tab solves a real stage where screenwriters get stuck — and the AI mentor follows you across all four.
Characters, storylines, locations, worldview, notes. Every fact stays in the AI mentor's memory, so by scene 30 it still remembers the foreshadowing in scene 2.
Three-act, five-act, or your own custom beat sheet on the corkboard. Drag to reorder; beats and storylines stay in sync.
One-click between Hollywood and Taiwan format. Character autocomplete, slug formatting, footnotes — all built in.
PDF (industry standard), Final Draft (FDX), Fountain (plain text). Submission packets and shareable read-only links, one click.
Plan has six sub-tabs — Planning, Characters, Storylines, Locations, Worldview, Notes. Each one wired into the script. The AI mentor reads all of them.
Appearance Matrix shows every scene each character is in and who they share screen-time with. By season two, you'll still remember what that bartender from the pilot drinks.
A-plot, B-plot, foreshadow — each its own colour. Every scene tags the storylines it advances, so a thread can't quietly fall off the table.
Apartment, Harbor, Café — set int/ext and day/night once; every later scene picks them up by reference.
Drag scenes around the corkboard; beats and storylines move with them. Apply a structure template and Slima nudges you when a beat is empty.
Board, List, Season, Timeline — same screenplay, four angles. TV writers can read a season's emotional curve, then jump back to a card to drag a scene.
Three-act, five-act, or a fully custom beat sheet you name yourself. Each beat becomes a movable card; Slima nudges you when one is empty.
Every card shows which storylines it touches at the bottom edge. You'll see at a glance when the A-plot drops a beat in the middle act.
One-click between Hollywood and Taiwan format. Slug lines auto-uppercase, character names auto-center, dialogue auto-indents — you only think about the next line.
Hollywood (INT./EXT. SLUG — DAY) and Taiwan (時 / 景 / 人) — same script, two views. Hand the Hollywood version to the international agent; keep editing the Taiwan version locally.
Type "MA" and MAYA appears, uppercased and centered, with (CONT'D) auto-tagged on continuation. Parentheticals indent on their own line.
Every scene number stays in sync with the outline beat. Reorder scenes and the outline follows.
PDF (industry-standard layout, watermark and all), Final Draft FDX (the de facto for production schedules), Fountain (plain text for diff-friendly collaboration). One click each.
Industry-standard layout · title page, scene numbers, watermark
FDX format · the production-schedule de facto
Plain text · GitHub / git-diff friendly open spec
Submissions, contests, print
The mentor has read your character bible, your storylines, your structure template, every scene you've written. Ask it anything; the answer comes from inside the show — not from a generic screenwriting class.
Suggests character-arc shapes for your genre. Flags storyline gaps (which thread is missing a turn).
Marks which beat is empty, which scene the mentor would expect a character to appear in but they don't, which two storylines never share a scene.
Selection menu on dialogue: sharpen, raise stakes, cut in half. On action: add a sense detail, compress.
Auto-generates logline, synopsis, and a character one-pager. Submission packet ready.
My writing used to be scattered across different files — character notes, outlines, first drafts, scene breakdowns. Finding any single reference was torture. With Slima, everything finally clicked into place.
Structure templates, dual format, corkboard, export — none of it costs anything. Pricing only kicks in when you use the mentor.
The whole screenwriting flow at no charge
Feel the difference between writing alone and writing with a 24/7 mentor
If your question isn't here, write to us. A human reads everything.
Plan, Scenes, Write, Deliver — one studio for the whole flow. Start today.